Minions & Monsters (2026)
“Hollywood has a monster problem.”
This is the rambunctious, ridiculous and totally true story of how the Minions conquered Hollywood, became movie stars, lost everything, unleashed monsters onto the world and then banded together to try and save the planet from the mayhem they had just created.
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Pierre Coffin, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Pierre Coffin, Trey Parker, Christoph Waltz, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Pierre Coffin
as The Minions (voice)
Trey Parker
as Goomi (voice)
Christoph Waltz
as Max (voice)
Allison Janney
as Olivia (voice)
Jesse Eisenberg
as Dort (voice)
Jeff Bridges
as Frank / Elwood (voice)
Zoey Deutch
as Debbie (voice)
Bobby Moynihan
as Phillips (voice)
Phil LaMarr
as Howard (voice)
George Lucas
as George Lucas (voice)
Barbara Eve Harris
as Additional Voices (voice)
埃里克·鲍扎
as Additional Voices (voice)Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 90 min |
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Weighted consensus from 100K+ verified global cinephile ratings
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.