ストリートファイター II MOVIE
Street Fighter II: The Animated Movie (1994)
“The wear lose and the strong win! Will the World Wariors triumph or die?”
Synopsis & Story Arc
Official Logline
Bison, the ruthless leader of the international terrorist organization Shadowlaw, has been desperately searching for the greatest fighter on the planet for years. He finds it in Ryu, a young wanderer who never stays in one place long enough for Bison to find him. He does, however, get a fix on Ken Masters, an American martial arts champion who studied with Ryu as a child under the same master. Meanwhile, Major Guile of the United States Army is forced to team up with Chun Li from China in hopes of apprehending Bison and putting a stop his international ring of crime.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Koujiro Shimizu
Koujiro Shimizu
as Ryu (voice)
Kenji Haga
Kenji Haga
as Ken Masters (voice)
Miki Fujitani
Miki Fujitani
as Chun-Li (voice)
Masane Tsukayama
Masane Tsukayama
as Guile (voice)
Takeshi Kusaka
Takeshi Kusaka
as M. Bison (voice)
Kaneto Shiozawa
Kaneto Shiozawa
as Vega (voice)
Shigezo Sasaoka
Shigezo Sasaoka
as Sagat (voice)
Jouji Nakata
Jouji Nakata
as Balrog (voice)
Masakatsu Funaki
Masakatsu Funaki
as Fei-Long (voice)
Yukimasa Kishino
Yukimasa Kishino
as Dhalsim (voice)
Yoko Sasaki
Yoko Sasaki
as Cammy (voice)
Shozo Iizuka
Shozo Iizuka
as Thunderhawk (voice)Cinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 102 min |
Behind The Scenes
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GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.