Dos tipos de cuidado
Dos tipos de cuidado (1953)
Synopsis & Story Arc
Official Logline
Jorge Bueno and Pedro Malo are best friends who consider giving up their womanizing ways when they each fall in love. As fate would have it, Pedro Malo unexpectedly marries Jorge Bueno's girlfriend, and the conflict between the former buddies begins.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Jorge Negrete
Jorge Negrete
as Jorge Bueno
Pedro Infante
Pedro Infante
as Pedro Malo
Carmelita González
Carmelita González
as Rosario
Yolanda Varela
Yolanda Varela
as María
Carlos Orellana
Carlos Orellana
as Don Elías
José Elías Moreno
José Elías Moreno
as El General
Queta Lavat
Queta Lavat
as Genoveva
Arturo Soto Rangel
Arturo Soto Rangel
as Doctor
Mimí Derba
Mimí Derba
as Doña Josefa
Manuel Noriega
Manuel Noriega
as Rosario's DoctorJesús García Navarro
Jesús García Navarro
as Chucho (uncredited)
Maruja Grifell
Maruja Grifell
as Matilde (uncredited)Cinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 111 min |
Behind The Scenes
Official Licensed Streaming Directory
100% LEGALPure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
No active streaming providers currently indexed for 🇺🇸 United States
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.