Trois couleurs : Blanc
Three Colors: White (1994)
Synopsis & Story Arc
Official Logline
Polish immigrant Karol Karol finds himself out of a marriage, a job and a country when his French wife, Dominique, divorces him after six months due to his impotence. Forced to leave France after losing the business they jointly owned, Karol enlists fellow Polish expatriate Mikołaj to smuggle him back to their homeland.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Zbigniew Zamachowski
Zbigniew Zamachowski
as Karol Karol
Julie Delpy
Julie Delpy
as Dominique
Janusz Gajos
Janusz Gajos
as Mikołaj
Jerzy Stuhr
Jerzy Stuhr
as Jurek
Grzegorz Warchoł
Grzegorz Warchoł
as Elegant
Jerzy Nowak
Jerzy Nowak
as Old Peasant
Aleksander Bardini
Aleksander Bardini
as Notary
Cezary Harasimowicz
Cezary Harasimowicz
as Inspector
Jerzy Trela
Jerzy Trela
as Monsieur Bronek
Cezary Pazura
Cezary Pazura
as Exchange Office Owner
Michel Lisowski
Michel Lisowski
as Interpreter
Piotr Machalica
Piotr Machalica
as Man under the Exchange OfficeCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 92 min |
Behind The Scenes
Official Licensed Streaming Directory
100% LEGALPure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
No active streaming providers currently indexed for 🇺🇸 United States
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.