After Hours
After Hours (1985)
“When it's after midnight in New York City, you don't have to look for love, laughter and trouble. They'll all find you!”
Synopsis & Story Arc
Official Logline
Desperate to escape his mind-numbing routine, uptown Manhattan office worker Paul Hackett ventures downtown for a hookup with a mystery woman.
Complete Cast & Crew Directory
Directing & Screenplay
Cast & Characters
Griffin Dunne
Griffin Dunne
as Paul Hackett
Rosanna Arquette
Rosanna Arquette
as Marcy
Verna Bloom
Verna Bloom
as June
Tommy Chong
Tommy Chong
as Pepe
Linda Fiorentino
Linda Fiorentino
as Kiki
Teri Garr
Teri Garr
as Julie
John Heard
John Heard
as Tom the Bartender
Cheech Marin
Cheech Marin
as Neil
Catherine O'Hara
Catherine O'Hara
as Gail
Dick Miller
Dick Miller
as Waiter
Will Patton
Will Patton
as Horst
Robert Plunket
Robert Plunket
as Street PickupCinematography & Large-Format Specifications
Cinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 97 min |
Behind The Scenes
Official Licensed Streaming Directory
100% LEGALPure cinematic metadata encyclopedia with zero hosted video. Official verified distribution channels:
No active streaming providers currently indexed for 🇺🇸 United States
This title may currently be in theatrical window, physical media release, or restricted by regional licenses. Switch to another territory:
GlobalCineDB Consensus Score
Weighted consensus from 100K+ verified global cinephile ratings
Community Reviews & Discussions (3)
The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.