Running Man (2010)
“Don't Walk, Run!”
These days, as variety shows are gradually disappearing, this is one of Korea’s representative variety shows that has been responsible for Sunday evenings for over 10 years. This program features numerous stars and members going around various places, playing games, and completing missions. In particular, among the many fun elements of variety shows, this one focuses solely on laughter. Open your eyes! Big fun is coming in! Open your mouth! Big laughter is coming in! Open your heart! Useful lessons are coming in!
The film establishes its central universe, introducing the protagonists into an escalating conflict. Directed by Jo Hyo-jin, this opening movement establishes high visual and thematic stakes that set the narrative journey into motion.
The protagonists navigate escalating complications, ethical dilemmas, and formidable challenges. Starring Yu Jae-seok, Jee Seok-jin, Kim Jong-kook, the middle act intensifies dramatic momentum toward an inevitable turning point.
The dramatic arcs converge in a decisive climax, resolving interpersonal conflicts and delivering the auteur’s resonant thematic conclusion.
Yu Jae-seok
as Self
Jee Seok-jin
as Self
Kim Jong-kook
as Self
Haha
as Self
Song Ji-hyo
as Self
Yang Se-chan
as Self
Ji Ye-eun
as Self
Jeon So-min
as Self – Former Member
Lee Kwang-soo
as Self – Former Member
Kang Gary
as Self – Former Member
Song Joong-ki
as Self – Former Member
Park Soo-young
as Self – Former MemberCinematographic negative, aspect ratios & laboratory mastering sheet
| Aspect Ratios | 2.39:1 |
|---|---|
| Camera Systems | Arri Alexa LF / Panavision Millennium DXL2 |
| Negative Format | 35mm / 65mm / Digital Master |
| Printed Film Format | 70mm / DCP Master |
| Sound Mix Formats | Dolby AtmosDTS:X5.1 Surround |
| Laboratory / VFX | Technicolor / Double Negative (DNEG) |
| Color Processing | Color (Rec.709 / DCI-P3 Mastering) |
| Official Runtime | 85 min |
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The pipe organ composition from Hans Zimmer at the edge of Gargantua is monumental. Nolan masterfully balances the vast coldness of relativistic astrophysics with the intimate, multidimensional bond of family. A transcendent achievement of cinema.
"Do not go gentle into that good night, Rage, rage against the dying of the light." Michael Caine reciting Dylan Thomas resonates throughout the entire odyssey. Pure cinematic grandeur.
